Alice Thompson grew up in Edinburgh and read English at Oxford University. After spending the 80s playing keyboards with the almost, but not quite famous, post-punk band The Woodentops, she turned to writing. She was formerly Writer in Residence for Shetland and in 2000, won a Creative Scotland Award. Her first novel, Justine, won the James Tait Black Memorial Prize for Fiction, and her second, Pandora’s Box, was shortlisted for the Stakis Prize for Scottish Writer of the Year. Her third, The Book Collector, was published in 2015.
Alice’s website: https://alicethompson1.wordpress.com/
Alice Thompson is represented at Jenny Brown Associates by Jenny. For all enquiries contact email@example.com
Selected Books by Alice
The Book Collector
Salt, November 2015
In Edwardian England, Violet has a fairy tale existence: loving husband, beautiful baby son and luxurious home. She wants for nothing. But soon after the birth of her baby the idyll begins to disintegrate. Violet becomes obsessed by a book of fairy tales her husband has locked away in a safe. Paranoid hallucinations begin to haunt her and she starts to question her sanity. Meanwhile, vulnerable young women are starting to disappear from the nearby asylum. Soon Violet herself is interned in the asylum for treatment only to discover, on coming out, that her husband has hired a nanny while she has been away, the beautiful, enigmatic Clara. The brutality of the asylum is nothing compared to the horrors that now lie in wait.
Praise for The Book Collector
With a nod to Angela Carter, Thompson takes the myth of Bluebeard, the murdering husband who keeps a tally of his dead wives, sets it down in that Edwardian summer just before the guns of the First World War go off. It’s a superb settling for betrayal and revenge
–The Independent on Sunday
The Book Collector shows a wry and sly mind at work throughout. Scottish literature would be thinner without this kind of challenging and cleverly-wrought writing.
The Book Collector throws the essential elements of the gothic chiller into a blender and what emerges is something between pastiche and critique, in which its author never loses sight of the need to give her readers, first and foremost, an un-put-down-able yarn.
With its gothic motifs, this dark portrait of a ‘fairytale’ marriage is full of mystery and suspense… An elegant and bloodily shocking entertainment.
Salt, May 2013
Struggling writer Max Long arrives on Burnt Island to work on his next novel. There he encounters bestselling author James Fairfax, whom Max suspects of not being the real author of the book that has made his fortune. Furthermore, Fairfax’s wife has gone missing.
In a desperate bid for success, Max decides to compromise his talent by writing a horror bestseller. Recently divorced and increasingly mentally unstable, he witnesses disturbing visions that take the form of the horror he is attempting to write. Is Max losing his mind – or his soul? What is the truth about Fairfax? And what is the secret of Burnt Island?
Praise for Burnt Island
Burnt Island is steeped in self-awareness, as a book about the process and effect of writing might be. It seems connected by literary electricity to other tales of isolation: The Shining, Pincher Martin, The Sea, The Sea. It might resist ‘character development’, but Max does learn that however bad things can get for him, there is always someone who has had it worse: usually another writer
Fractured and lucid as a dream. Creepy and brilliant.
[Thompson’s] prose style tackles these questions in spare and simple language, devoid of drama and, it would seem, ambiguity, and in that sense, she avoids echoing the richness of both Angela Carter and John Fowles, even as she appears to be paying her tribute to both of them. It’s a wise decision, as this prose style also matches better the sparse landscape of the island itself. This is a simple yet clever tale, gently satirising literary ambition as it explores the darker sources of inspiration, and told with all the supernatural horror of the best Hammer stories.
The Existential Detective
Salt, August 2014
William Blake is a private detective. When he is asked by an eccentric scientist to investigate the whereabouts of his amnesiac missing wife, Louise, Will finds himself entangled in layers of deceptions and disappearances that lead him inexorably back to an unsolved mystery in his own past: the loss of his young daughter Emily.
The case takes Will to brothels, nightclubs and amusement arcades in the Scottish seaside resort of Portobello. Identities become con-fused as his sexual obsession with a nightclub singer becomes entwined with sightings of Louise, his own torturous memories, and new visions of the lost Emily.
The Existential Detective is a surreal, dreamlike story of loss, incest and what it means to remember.
Praise for The Existential Detective
Reminiscent of the dislocation and dream-infested landscape that inhabits Auster’s work… Alice Thompson has bent the detective novel to her own will and produced something rather exciting
Scottish Review of Books
Alice Thompson… grabs hold of the detective fiction tradition, flings it in the air, lets it crash to the floor, and jumps on it till it’s in smithereens. She then reconstructs it into something that doesn’t yet have a name… The Existential Detective is unsettling, unsettlingly erotic, and somehow sadly beautiful. Thompson is fast becoming one of the most original and formidable writers in the English language today
The Sunday Herald
Thompson’s uncanniest – and best – novel yet
Thompson … conjures up a strange universe for her characters, drawing the reader in with teasing prose and suggestive paradoxes … but the real suspense comes from the way the author plays with her shadowy characters, her more surreal clues and, ultimately, her readers
Times Literary Supplement