Sandra Ireland was born in Yorkshire, lived for many years in Éire, and is now based in Angus, Scotland. She began her writing career as a correspondent on a local newspaper, but quickly realised that fiction is much more intriguing than fact. In 2013 she was awarded a Carnegie-Cameron Scholarship to study for an Mlitt in Writing Practice and Study at the University of Dundee, graduating with a distinction in 2014.
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1648. Alie Gowdie marries Richard Webster during a turbulent time in Scotland’s history. Charles I is about to lose his head, and little does Alie know that she too will meet a grisly end within the year.
2019. Sarah Sutherland is struggling to cope with the demands of her day job, caring for her elderly father and keeping tabs on her backpacking daughter. She wanted to be an archaeologist, but now in her forties, she is divorced, alone, and there seems to be no respite, no glimmer of excitement on the horizon. However, she does have a special affinity with the Kilgour Witch, Alie Gowdie, who lived in Sarah’s cottage until her execution in 1648, and Sarah likes nothing better than to retreat into a world of sorcery, spells and religious fanaticism.
Her stories delight tourists as she leads them along the cobbled streets of her home town, but what really lies behind the tale of Alie Gowdie, the Kilgour Witch? Can Sarah uncover the truth in order to right a centuries-old wrong? And what else might modern-day Kilgour be hiding, just out of sight?
The Unmaking of Ellie Rook
Polygon, July 2019
A single phone call from halfway across the world is all it takes to bring her home . . . ‘Ellie, something bad has happened.’ Desperate to escape her ‘kid from the scrapyard’ reputation, Ellie Rook has forged a new life for herself abroad, but tragedy strikes when her mother, Imelda, falls from a notorious waterfall. Here, according to local legend, the warrior queen Finella jumped to her death after killing a king. In the wake of her mother’s disappearance, Ellie is forced to confront some disturbing truths about the family she left behind and the woman she has become. Can a long-dead queen hold the key to Ellie’s survival? And how far will she go to right a wrong?
The consequences threaten to be far-reaching and potentially deadly. Bone Deep is a contemporary novel of sibling rivalry, love, betrayal and murder. It is a dual narrative, told in alternative chapters by Mac, a woman bent on keeping the secrets of the past from her only son, and the enigmatic Lucie, whose own past is something of a closed book. Their story is underpinned by the creaking presence of an abandoned water mill and haunted by the local legend of two long-dead sisters, themselves rivals in love, and ready to point an accusing finger from the pages of history.
Taking a job in the studio of an Edinburgh taxidermist probably isn’t Walt’s wisest decision. Suffering from combat stress and struggling to outrun the demons from his past, he now finds himself confronted by the undead on a daily basis.
His enigmatic boss, Alys, and her sister, Mouse, have their own uneasy relationship with the past. Someone doesn’t want to let them go. Can Walt save Mouse’s eight-year-old son, William, from becoming the next victim? And can he save himself?
Deliciously disturbing, this psychological thriller peels back the skin of one modern family to reveal the wounds no one wants to see. It deals with the effects of trauma and how facing up to vulnerability is sometimes the only way to let go of the past.